2020 was a year with unprecedented emotional, mental, physical, and sociological effects. During that time, HOCKET conceived this project to figure out how to make music together, make sense of what was happening in the world, and to provide an artistic and musical outlet for the new music community to express themselves.
The Fig and The Wasp (2021)
The Fig and The Wasp
Written by Samantha Behr
Directed by Josh Sobel
Composition by Sam Wells
How do you fight hopelessness? A senator from a well-known political family, Rosaura Flagg promotes stability to her fellow citizens, even as the country is crumbling. As a mysterious disease starts to spread, her daughter lies in a hospital room in a coma-like sleep. The Fig and The Wasp explores the destruction caused by isolation and the power of care and connection, against the backdrop of a world on fire.
Running Time
2 hours 30 mins, with a 15 minute intermission.
Loom Telling (2021)
single-channel video, 3840 x 2160, binaural audio, 10 minutes and 20 seconds, 2021.
Wearing headphones is strongly recommended to fully experience the binaural audio.
Credits
Jeonghyeon Joo, producing & haegeum performance
Sam Wells, music composition, audio mixing & mastering
Max Harper, director of photography & editing
Alex Buck, recording engineer
Recorded in The Dizzy Gillespie Recording Studio, California Institute of the Arts
Filmed in C113, California Institute of the ArtsStarting December 1st, 2021, haegeum performer/composer
Jeonghyeon Joo presents new work under the theme of The Art of Bowing every first day of the month until May 2022. Featured works include her solo compositions and collaborative works with composers, performers, and filmmakers based in Los Angeles and Seoul. Each of the six chapters will consist of an audiovisual piece, performance recording, or writing.
The Art of Bowing explores aesthetics and the world beyond the action of bowing, questioning what is beyond the body, sound, and movement of herself and her instrument. It first draws the aesthetic meaning of the bowing itself by putting a microscopic lens to the physicality of the haegeum and the performing body. It then captures the moment of connection and disconnection between them and expands its perspective to the environment and socio-cultural context surrounding the haegeum and body.
The Art of Bowing is made possible through the generous support from the Seoul Foundation for Arts and Culture.
Collaborators; Sam Wells, Max Harper, Tim Feeney, Sangbin Patrick Rhie, Ulrich Krieger, and Yoona Kim.
Memory Palace (2021)
Scott L. Miller, Adam Vidiksis, Sam Wells
Label: Scarp Records
Release Date: November 5, 2021
Catalog #: SR001
Read MoreScarp Records →
Cabinet by Sarah Belle Reid
"A cabinet of curiosities is a room in ones house, in which collections of oddities and special treasures are stored. These items are preserved and displayed on shelves upon shelves, lining the walls from floor to ceiling. As you wander through these spaces, down corridors that connect rooms together in unexpected ways, the items you notice and dwell upon weave together a peculiar story—one that is deeply personal and ever-changing, made up of precious items, secret memories, and overlapping moments in time." - Sarah Belle Reid
Sam Wells, trumpet & video processing
Christopher Biggs, electronics & audio editting/mastering
Thethyscape by Ben Richter
Video by Sam Wells for Ben Richter's "Thethyscape"
Translucent Cartography [w/ Adam Vidiksis]
202102252300 [Reid & Wells]
202102252300 (2021
Sarah Belle Reid, trumpet & electronics
Sam Wells, trumpet & electronics, video editting
25/02/21, part one [Miller, Vidiksis, & Wells]
25/02/21, part one (2021) Scott L. Miller, Kyma Sound Design Environment Adam Vidiksis, drum set Sam Wells, trumpet & video processing
polymyth № 645 (2021)
for eight trumpets
Sam Wells – composer, trumpeter, audio & video editor
“polymyth № 645” was originally premiered as "polymath 1" on Episode 85 of Metropolis Ensemble’s "House Music" video series.
“Composer and Trumpeter Sam Wells first moved to Los Angeles 18 months ago. It was there that he began to immerse himself in desert ecology, exploring the vast, dusty landscape of the Mojave Desert. He’s always been an outdoorsy person, traversing the mountains of the east coast, but the desert is new to him. Its wide open, barren land seems like a cradle of history—you can see the volcanoes and ancient rock formations of Earth’s past—but at the same time, standing there it feels as if there’s no time at all. So, he’s set out to make music that evokes that feeling of endlessness and interwoven past and present. “polymyth 1” is a movement from a larger, still untitled work that unites these ideas.
Wells began working with Metropolis Ensemble in 2017 when he performed works by electroacoustic composer Paula Matthusen. Since, he’s played with the group at a festival at Bryant Park and at Symphony Space for Bill Brittelle’s Spiritual America. He looks back on each experience fondly, remembering the performances for their high quality and the engaging music he played.
Beyond its desert inspiration, “polymyth 1” is an exploration of how stories are passed down generation-to-generation, using translucent, layered video and sonic effects to illustrate the ways that stories morph and transform throughout time while maintaining the same core threads. Increasingly, Wells’s practice equally involves recording, editing, and performing, and here, he puts this multimedia style on display. The piece is essentially a trumpet octet, where Wells plays each part. Four of the parts are notated, while four are improvised. What we hear is a weaving, intricate chorale; what we see is an image of Wells that moves in and out of focus alongside the music to illuminate the ways that mythologies are constantly in motion.” – Vanessa Ague
+ ± [Biggs & Wells]
+ ± (2021)
Christopher Biggs, electronics
Sam Wells, trumpet, electronics, & video processing
Steel and air, a mottled presence by Ryan Seward
Trainomorphosis by Anya Shatilova
Halogen by Jack Kraus
trumpet and video
video score - Jack Kraus
trumpet, recording, editing, mastering - Sam Wells
Read MoreAdditives by Aliya Ultan
trumpet and video
Read Moremimenrosp (2020)
Out of Focus by Alex Buck
High-Low II by Scott Miller
Miller-Vidiksis-Wells Trio live stream
Read More